Jul 15, 2018

Slow Mo

Between a rapid series of deadlines and the normal turmoil of life, knitting has been occurring in slow motion. Yes, it's happening, but headway is so gradual you could blink 20 times and not miss a thing. 

In spite of this turtle-like pace, progress has occurred. The fifth and final light rose section has been finished and bound off. 

Now, I'm weaving the ends at the color transitions and prepping the scarf for blocking, which means the end is in sight.

The fabric is light and drapey even in its unblocked state, so I couldn't resist. I had to take a few minutes, pat it into place, and admire how the marling technique helps this five-stage gradient fade smoothly from solid magenta to fuchsia and then light rose. 

The next time you see this project, it will be finished, blocked and ready to wear, but you certainly haven't seen the last of this yarn. I have to confess, I'm so enamored with this particular ombre effect, I'm already experimenting with fresh possibilities. Stay tuned.


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Jun 24, 2018

Marling & Me

While my intent was to split time between finishing Herlacyn Breeze and knitting a few rows on my gradient scarf, I ditched discipline and wallowed in the pure pleasure of watching this simple but satisfying project grow.

When last you saw it, I was still working on the first section. Since then, I've managed to complete it plus two more sections and start the fourth. 
I'm creating a five-stage gradient using only three yarn colors, a feat achieved by working the entire piece with two strands of lace weight carried throughout. The solid sections (one, three and five) feature two strands of the same color, while the marled sections (two and four) utilize one strand from each of the adjacent solid sections creating a blended transition that fades from one shade to the next. In other words:
  • Section 1: magenta
  • Section 2: magenta + fuchsia (marled)
  • Section 3: fuchsia
  • Section 4: fuchsia + pink (marled)
  • Section 5: pink

At the most basic level, marled yarns have two different colored plies twisted together into a single strand. It's completely possible to emulate this at home, but I've decided instead to keep it simple, carry the two strands together, and let the marled effect evolve organically.

Normally, I'd opt for a more controlled approach, but for now, I've decided to relax and enjoy this adhoc adventure, marling and me.

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Jun 17, 2018


While I promised myself I'd stay completely focused on weaving the last few ends in preparation for blocking Herlacyn Breeze, I confess I've succumbed to distraction. The final steps required for finishing aren't difficult, but they do require a degree of patience and attention I can't always muster at the end of a busy day.

The only solution, of course, was to face facts and cast on something new. For years, I've searched for the perfect project for these lovely skeins of solid lace weight yarn (Lorna's Laces, Helen's Lace, 50% silk/50% wool). 

A lovely lacy shawl is the obvious answer, but lace isn't really my thing. I've swatched and frogged multiple stitch and needle combinations, and even paired various colors with the variegated Blue Heron (Rayon Metallic), but nothing really struck my fancy.

In the end, I decided to keep things as simple as possible, opting for a long, skinny scarf featuring the fluted rib, one of my favorite reversible slipped stitches.

The plan is to work a five-stage ombre or gradient using three solid colors (magenta, fuchsia and pink) with the yarn carried double to make it easy to fade from one solid shade into the next. These regular color changes should keep things interesting, and the end result should be a light, classic scarf perfect for cool spring and fall weather.

Meanwhile, this simple knit offers the perfect pick-up-lay-down project to balance the attention and care finishing Herlacyn Breeze demands. Sometimes, monogamy isn't all it's cracked up to be.

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